Dürer and Cranach Paintings

Albrecht Dürer Lamentation of Christ and Cranch Crucifixion

Left: Albrecht Dürer
Lamentation of Christ (‘Glim Lamentation’), ca. 1500
The ‘Glim Lamentation’ is the epitaph of the Nuremberg goldsmith Albrecht Glim and his wife, Margret Holtzmann, who died in 1500.
Both are depicted in the foreground with their children and the family coat of arms.

Right: Lucas Cranach d. Ä.
The Crucifixion, 1503 (also Lamentation Beneath the Cross (Klage unter dem Kreuz)

The Crucifixion is Cranach’s first large altar painting. It is an impressive demonstration of the thirty-one-year-old’s creative genius and expressive temperament. The figures found in traditional compositions of this subject have been rearranged to focus on the Virgin Mary who Cranach presents as a paradigm of piety, showing her devotion and pain at the sight of her son’s suffering.

In the Alte Pinakothek in Munich.